Monthly Archives: December 2014

Dr. Babcock and Dr. Annabel — Civil War Medicine Then and Now

A hundred and fifty years ago, Americans realized with awe that the Civil War might be nearing its end. The death toll pushed three-quarters of a million, in a country of 28 million.
Most of those deaths were from disease. No one had any clue as yet about the germ theory. Vaccinations were limited. And American soldiers just could not get it through their heads that they should dig the latrine well AWAY from the sleeping and cooking areas – and DOWNHILL from the water supply!
But multitudinous deaths also came from battle causes. With trenches, explosive shells, gigantic armies, steam-powered transport, and long-range rapid-fire weapons, the Civil War was much like the wars of the 20th century. Much of medical care, however, was not too different from that of the Middle Ages. The killing technology had gotten way ahead of the saving and healing technology.
Dr. Marcus T. Babcock, who practiced in the Prattsburgh-Branchport-Hammondsport area, was part of the new wave of American physicians, who actually had formal college-level training as medical doctors. He joined up as assistant surgeon with the 141st New York Regiment.
If you got wounded, and were carried to Dr. Babcock, very likely you were suffering major damage. The standard “ball” for musket or rifle was 70-calibre, so it blasted and shattered its way through flesh and bone. Assuming you got hit in a limb, chances were very good that it was beyond repair. A standard sickening memory of the war was mountains of arms and legs outside the field hospitals.
The Doctors Babcock (two brothers and their nephew) would buy an x-ray machine in 1901, three years after Becquerel discovered the rays. But 40 years earlier Assistant Surgeon Babcock had no such luxury. After a quick survey by eye and by touch, he would take a saw to the limb, well above the damage, and amputate without anesthetic. (Doctors KNEW about anesthesia, but didn’t have enough to handle whole armies.)
Assuming you survived the wound and the surgery, Dr. Babcock then kept a sharp eye (and a keen nose) for signs of infection or gangrene. Antibiotics and even antiseptics still lay in the future, and even then many American doctors were too smart to fall for European foolishness about tiny invisible things that made you sick. But the well-educated Dr. Babcock was repeatedly commended for maintaining a clean, well-ordered hospital, so that had to have helped.
If gangrene did set in he had to amputate again, this time farther up the limb, and hope that things would go better the second time around. If you developed gangrene on the trunk, neck, or head… your life was at its end.
Henry C. Lyon of Pulteney (34th New York) was wounded at Antietam, sent home, and died along the way.
Monroe Brundage of Bath and Hammondsport stayed on the field commanding his company after being wounded at Antietam, then had his arm removed the following day. He left the service a few months afterward and had a successful civilian career, but died 12 years later at the age of 39. It’s hard to believe that his grievous wound did not contribute to his early death.
Richard Covell Phillips of Prattsburgh (44th New York) fought on after being wounded on the second day at Gettysburg, then made his way to a field hospital. There a doctor saved his arm, but he lost the USE of that arm. Later he and other walking wounded were ordered to make their own way on foot several miles down to town, picking their way through the decaying corpses of thousands of men, mules, and horses. After a night on the floor of a church the wounded went by train to Baltimore, where the hospitals were full. Diverted to Philadelphia he finally had his blood-soaked uniform cut away, a week or so after being wounded.
Philips stayed in the army, even serving a year or so postwar. But his wound exacted a toll from his family for decades. His oldest son wanted badly to get an extensive education, but the father insisted that he leave school as a teenager and work on the farm, doing the jobs his father couldn’t… an insistence that engendered deep bitterness.
Stephen P. Chase of Addison (86th New York) kept a diary in which he wrote laconically of being wounded in a charge. The next day he shockingly writes of going to the hospital to have the ball (or bullet) taken out of his head.
Chase came safe home, but his diary reveals issues of depression and Post-Traumatic Stress Disorder – both grasped only dimly, if at all, at the time. He was glad to be home and delighted to see his family, but devastated at all the empty spaces left by so many friends buried so far away. Going to church helped, and so did working in the field. But again and again he writes, “I am not enjoying my mind.” He finally concludes his diary perceptively (if perhaps a little optimistically), “I thank God I have the right use of my reason after 4 years of terrible war.”
Nowadays we recognize that such suffering was likely for the combat soldier of the Civil War. But it must have been just the same for the Civil War army surgeon, operating on screaming men, building up mounds of severed limbs, and working among row after row of soldiers he tried, and failed, to save.
Dr. Spencer Annabel, practicing physician and practiced re-enactor, will tell us about Civil War medicine at 4 PM Friday, Jan. 2 in Bath Fire Hall. This free event is the opening of Steuben County Historical Society’s 2015 Winter Lecture Series. Dr. Annabel is pictured “in the field.”
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Christmas Past — Southern Tier Style

Christmas Day of 1872 was an important day here in the Southern Tier, and especially in Corning.
It was the first Christmas that most Corning businesses gave their employees the day off.
That may bewilder us, for we’ve often been given the impression that once upon a time we treated Christmas with deep reverence, and that only lately has it become sadly commercialized, marginalized, or otherwise made war on.
Nothing’s more commercial than keeping the business running, of course. A photo from around 1898 shows a large grape packing house in Hammondsport with a full staff hard at work. A post card from the early 1900s was postmarked in Corning and Dundee on December 25, which means that both offices were working, along with some carrier between the two.
Even in A Christmas Carol, where Bob Cratchit has to negotiate the day off, on Christmas Day the Cratchits themselves cheerfully patronize the bakery, which rents out its ovens for people to cook their geese and turkeys.
Christmas had a hard time getting going in America, especially here in the northeast. The Pilgrims of course despised it, and Governor William Bradford wrote an amusing account of the first Christmas in Plymouth. (He wrote of himself in the third person, and I’ve modernized the spelling a little.)
“On the day called Christmasday, the Governor called them out to work, (as was used,) but the most of this new-company excused themselves and said it went against their consciences to work on that day. So the Governor told them that if they made it matter of conscience, he would spare them till they were better informed. … [Later] he found them in the street at play, openly; some pitching the bar and some at stool-ball, and such like sports. So he went to them, and took away their implements, and told them that was against his conscience, that they should play and others work. If they made the keeping of it matter of devotion, let them keep their houses, but there should be no gaming or reveling in the streets. Since which time nothing hath been attempted that way, at least openly.”
In deeply Christian Massachusetts, Christmas was a crime: “whosoever shall be found observing any such day as Christmas or the like, either by for-bearing of labour, feasting, or any other way, upon any such account as aforesaid, every such person so offending shall pay for every such offence five shillings, as a fine to the county.”
The provincial legislature pointedly met on Christmas Day. Both they and the Pilgrims considered it an unbiblical superstition.
Where it WAS observed in America, it was pretty wild. Down south gangs of men (including slaves) tried to sneak up on somebody’s house. If they could get up close enough without being noticed, they’d shoot off a gun and yell “Christmas gift!,” whereupon the householder had to give them all liquor. As the day wore on the combination of guns and alcohol brought the results you’d expect.
In New York City in the early 1800s, a nostalgic former sheriff bemoaned that they no longer had a good old fashioned Christmas, which he described as gangs of young men forcing their way into people’s homes and boisterously singing until given enough food, drink, and money to make them go away.
That sort of thing was passable in an agricultural world, where you gave the workers a week or two off in the depths of winter and slaughtered a steer or two for them. But in the new industrial economy, employers wanted the workers back on the job, on time, not drunk, not exhausted, not hungover, the next day. A quiet family Christmas became the style, helped along by the quiet family of style-setting Queen Victoria and her German husband, who introduced English speakers to the Christmas tree. During and after the Civil War cartoonist Thomas Nast (also German-born) created our modern picture of Santa Claus.
By the late 1800s Christmas was pretty popular in our parts, especially with merchants. Ads started later than we’re used to (around Thanksgiving), but they were just as frenetic as ours. Sampling some 1901 ads from the Hammondsport-Keuka Lake area we find:
*”Why not a Range, Stove, Cutter, Whip, Bells, Horse Blankets or Mechanics’ Tools? Because they are useful does not detract from their suitability for Christmas gifts.”
*”Santa Claus is a common sense old fellow… . He has a way of being practical as well as jolly…JUST NAME A MORE SUITABLE GIFT than a nice pair of Shoes, Slippers or Rubbers for any member of the family.”
*”Trains of cars, Ringing Bells, Mouth Organs, engines that steam up, Toy Banks, Toy Blocks, Doll Beds, Tool Chests, Drums, Whips and Guns.”
*”Six Trading Days to Christmas. We fear some people would not be ready for the ringing of Christmas Chimes if we did not keep counting the days and saying. Hurry! Hurry! Early in the day is a good motto to be adopted by Christmas shoppers.”
To some extent Christmas got more fun as it got more commercial… or maybe the commercialization capitalized on the fun. Local folks sent each other thousands of Christmas post cards – religious, sentimental, or humorous just as they liked.
Extensive decorations festooned the shopping streets (and the stores) of Hornell and Corning. In 1913 Corning folks crowded the streets and the roofs as crack pilot Frank Burnside flew Santa Claus from Bath to Corning by biplane (thanks to the city merchants). Christmas was finally here to stay and universally welcomed (but for a few sour Scrooges). And the rest, as they say, is history.

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Fixing Us Up on Wikipedia

One of the most convenient sources for information today – information on just about anything – is the online encyclopedia at www.wikipedia.org.
Wikipedia is crowdsourced. In theory, just about anyone can set up an article on just about anything. So you might have an article on Glenn Curtiss, say, or polio… and another, possibly even longer, on “Petticoat Junction.”
Most anyone would agree that Glenn Curtiss and polio are more significant topics, but on the other hand some people DO want information on the six actors who played the three Bradley girls, so why shouldn’t they be able to find it? With an on-line source, it doesn’t encumber the more significant articles.
Crowdsourcing provides a chance for knowledgeable folks to communicate that knowledge. Unfortunately it also gives a chance for the uninformed, the mischievous, or even the dishonest. One of my sons had friends who, just for amusement, edited the polar bear entry to say that the bears locate their prey through echo-location. Not true, of course, but the “fact” stood for several days before someone caught it and deleted it, reminding us that valuable though Wikipedia is, you need to take it with a grain of salt.
There are editors who challenge entries or call for revisions, and many articles have caveats included. And in a sense anyone can be an editor, which finally gets us to our point.
Years ago I set myself up with an “account” so as to make entries on Wikipedia. I don’t remember just why, but I think I was making some small corrections to articles on pioneer aviators.
Since becoming director of the Steuben County Historical Society, though, I have taken it upon myself to do what I can in cleaning up Steuben County entries. Some of this has been just a matter of correcting typos, an unglamorous but worthwhile activity.
Sometimes, though, the changes are more substantive, as was the case with a set of related entries on Prattsburgh, Marcus Whitman, and Narcissa Prentiss Whitman.
First of all, the entry said that Prattsburgh was in the Genesee Valley. I suspect I can track the line of confusion that led to this curiosity. Our whole region was once known as “the Genesee Country.” This is a much bigger area than the Genesee Valley, but the mix-up would be easy to make. Anyhow, I deleted that.
Narcissa’s entry erred in the opposite direction and even more startlingly, saying that she had attended Franklin Academy “in the Hudson Valley.” I did some checking to make sure that she had in fact gone to “our” Franklin Academy, in Prattsburgh, and made the change accordingly.
Neither entry mentioned the open-to-the-public Narcissa Prentiss House. I thought that was worth mentioning, so I did so. To the list of honors for Marcus Whitman I added mention of a bronze plaque in Wheeler (where he practiced medicine), and his listing in the Steuben County Hall of Fame.
One correction I made was in the article on W. Sterling Cole, former member of Congress and director of the International Atomic Energy Agency. His piece located Pleasant Valley Cemetery in Erwin – either Painted Post or Coopers Plains, I forget which. I verified that he was in fact buried at Pleasant Valley, then corrected the location to Urbana.
In several cases I did updates, or added facts that seemed worthwhile. I mentioned that Randy Kuhl is in the Hammondsport Central School wall of Fame for lifetime achievement. I noted that Davenport Library is no longer a library – the building is the Steuben County History Center, while the new Dormann Library’s next door. I reported that the museum at the DL&W depot in Painted Post is operated by Corning-Painted Post Historical Society. I added Corning Christian Academy to the list of schools in that city.
One job I put off for years, hoping someone else would fix it, because I didn’t know how. Town Line Church and Cemetery in Rathbone somehow got listed as Town LINKE Church, both in its own entry and on the list of National Register sites in Steuben County. This meant that if you searched (correctly) for Town Line Church you’d never find it.
So one day I bit the bullet and made the change, then sat back to see what would happen. What happened (thank heaven) was that an editor got involved. Changing the text was no problem, but changing the title required a higher authority. In our exchanges I pointed out the error in Wikipedia’s National Register list, and he kindly took care of that too.
So, maybe none of these changes are vital, but if you can’t even find the entry, that matters. Likewise the corrections mean that errors will not be perpetuated, and judicious additions can flesh out the descriptions. It’s no the most important thing I do with my days (and I don’t do it often), but it improves the world’s sore of knowledge and information on our area. Unless someone puts in echolocation. But that’s a challenge for another day.

“Golden Legacy: 65 Years of Golden Books” at Memorial Art Gallery

Most of us who are reading this today grew up with Little Golden Books. With their sturdy covers, gold spine, and bright vivid colors, they seized the attention of their intended audience – the child. On top of that, they were perfectly child-sized… just right for the child to read, to cling to, to pore over, to hide under a pillow. They cost a quarter when they first appeared in the dreadful wartime year of 1942. They must have been a comfort in that time of tragedy, dislocation, and terror. Just as they have been ever since.
Rochester’s Memorial Art Galley is now hosting a traveling exhibition, “Golden Legacy: 65 Years of Golden Books.” On Sunday of Thanksgiving weekend we made the trip to see original art from the stories our parents and grandparents read to us, and that we read to our own kids in their turn.
We weren’t the only ones. Plenty of fans were visiting. One of our sons (now in his thirties) came with us. In fact, he insisted on it.
I couldn’t have articulated it, but even as a kid I could tell that some of the Golden Books just had a different air to them. This exhibition made clear how many of the early artists were European, even refugees. But that’s America, incorporating all that comes to it. A Hungarian-born and Hungarian-trained artist like Tibor Gergely can create such American standards as Scuffy the Tugboat and Tootle the Train.
So – here I was, well more than half a century after I first enjoyed them, inches away from Tibor Gergely’s original brushstrokes. And here I got my first surprise, learning that much of the original art – at least that shown here – was created in the same size as the illustration on the printed page.
Comic-strip and comic-book art have traditionally been made larger than the published size, and N.C. Wyeth created huge canvases that became color plates in books. But those early Golden Book artists worked pretty much 1:1, which must have called for meticulous, painstaking labor. Any detail had to be created in its exact tiny published size.
Tibor Gergely was exacting enough in his details to pull off a little joke in an illustration for “Five Little Firemen.” With a caravan of speeding fire vehicles sweeping out from the underpass and up the on-ramp, Gergely added to the city scene a billboard advertising Little Golden Books.
One of the best-selling authors in the history of the world – Richard Scarry – got his start in Golden Books. His take on “Chicken Little” includes a lounging Foxy Loxy, smiling as he watches the parade of panicked victims come to HIM. He doesn’t even need to exert himself, and in the epitome of optimistic opportunism, even dangles salt and pepper shakers from a strap around his neck.
Counterpointing the exuberant, almost cartoon-like “Chicken Little” are four lovely Richard Scarry pieces from “I Am a Bunny.” Each presents one of the seasons – the happy bunny enjoying a beautiful snowfall, sheltering under a toadstool in a gentle spring rain, lolling in a field of summer flowers. In fall the bunny dances in page of falling leaves – just leaves. No background, no scenery, no horizon line. Just the bunny, the leaves, and the fall. It’s my favorite among the Scarry pieces.
Most of us have encountered the work of Alice and Martin Provensen – among other things, they created Tony the Tiger for Kellogg’s. When I was in high school they did the covers for the Washington Square pocket paperback editions of Shakespeare’s plays – something between cubism and Renaissance illumination. They won the Caldecott Medal for most outstanding illustration in children’s books. And they did several Golden Books, including “The Color Kittens.”
I was moved to find their original art of Hush and Brush on their adventures, because I read that book during the Eisenhower years, making my own drawing of it for first-grade open house and showing it to my father. This memory is very vivid because I was thunderstruck by the little fantasy, which seemed to take place in a world right next to ours – rooted, perhaps, in ours, but bringing forth undreamed-of fruit in another. That imaginative leap – that sense that there was more to this world, and more to my life, than met the eye – has underlain my life ever since. Sometimes people are asked to name the most influential books in their lives. After visiting the exhibit I realized that the first such book for me was “The Color Kittens.” I can truly report that a Little Golden Book changed my life.
Most of the artwork, going back to 1942, is in watercolor and/or gouache. But even though we haven’t been closely engaged for the last quarter-century or so, Golden Books continue to thrive and to grow. We got to meet the work of such newer artists as David Diaz (“Ocean’s Child”), with art done on computer – a new departure in a classic series.
There’s much more to the exhibit, including Swedish-born Gustaf Tenggren’s original art on “The Tawny Scrawny Lion” and before-and-after art from Eloise Wilkin (born in Rochester). She updated one of her books to show a world of children that actually reflect the world’s races, and another to make the expectant mother biologically plausible. There are several hundred Golden Books, with comfortable space to sit down and enjoy them – making new friends, and keeping the old. The exhibit runs through January 4; check beforehand for days and hours of operation. And enjoy your trip.

“Back There” — Farewell and Thanks to Charles Champlin

Charles Champlin passed away last month. If we were to make a list of those who’ve brought attention to Hammondsport in the 20th century, we’d start with Glenn Curtiss, the airplane, engine, and motorcycle man. We’d include the winemakers… Charles Fournier, Konstanin Frank, the Taylor family. And we’d mention Charles Champlin.
Charles was born locally in 1926, his mother the former Katherine Masson, whose family were winemakers for Pleasant Valley Wine Company. Most of us have seen photos of her at age 16, clad in white, christening the Curtiss flying boat America just a hundred years ago last June.
His father was Malburn “Kid” Champlin, whose family were owner-operators at Pleasant Valley. Their elopement might have been greeted with pleased indulgence locally, BUT… she was Catholic. He was Protestant. Quelle scandale!
That meant a lot more in those days than it does in this, and weighed heavily on a marriage that finally came apart – though both parties still lived locally, and their families still worked together. Charles grew up in Hammondsport, where he joined Boy Scouts, attended school both at the old academy building and at the “new” Curtiss School, played cornet in the town band, and haunted the library. He also taught himself typing, subscribed to the New Yorker, and rented a Post Office box to send out writing submissions (and, as all writers know too well, to receive them back).
What he wanted to do, even as a kid, was write, and after combat infantry service in World War II (with a purple heart) he went to work for Time-Life. Charles told me once that he lit out for southern California “as soon as I heard about it,” but actually that came in 1965, when owner Otis Chandler recruited him as entertainment editor at the L.A. Times. Needless to say, that’s a big beat out there. Charles watched about 250 movies a year for decades, reviewing about half of them, and seven years ago got his own star on the Hollywood Walk of Fame. He was one of the first critics to take note of young George Lucas and Christopher Reeve.
And now and then Times readers found in their pages fragments of memories… stories about growing up in a little town in the far-away Finger Lakes. There they read about swimming and boating, and about Saturday nights in the bandstand. They read about bicycling to Bath, to take music lessons and to see his father. They read about the neighbors who made wine, and the neighbors who made airplanes. They read about small boys hanging around a store during the Great Depression, trying to convince customers how much they’d enjoy themselves if they bought (and set off) firecrackers. They read about Charles’s older cousin Tony Doherty carrying both Charles and his younger brother Joe to safety during the catastrophic 1935 flood.
Very few Times readers had any connection with, or even any knowledge of Hammondsport. But they eagerly awaited the off-and-on stories of long ago and far away. Eventually they came together into a book, Back There Where the Past Was: A Small-Town Boyhood. Ray Bradbury himself (Ray Bradbury!) wrote the foreword. And readers across the country discovered what Angelenos had already learned – that a memoir by a man they’d never met, about a town they’d never heard of, was reading to remember. People who read it thought that maybe they had actually grown up in Hammondsport themselves.
Charles later wrote about his writing life, and about his journey with macular degeneration – what could be worse for a writer and film critic? Yet even that story, made possible by touch typing learned long ago, and by innate reservoirs of courage and confidence, shows its gleams of humor, and continuing good spirits.
I was lucky enough to know him a little, on his visits home and through occasional letters we exchanged, and he was kind enough to surprise me by sending a signed copy of My Friend, You Are Legally Blind. From time to time when I get stalled writing I ask myself, “How would Charles Champlin say this?” Then I do NOT write it as Charles would. But thinking that through helps me unlock my own voice.
One measure of his writing is the fact that people with no connection to Hammondsport are still buying Back There Where The Past Was, and reading it with joy. Ray Bradbury imagined local folks saying that Chuck Champlin “remembered more than we had all forgot.” Thanks to him we all remember, even though we weren’t even there. Thanks for remembering, Charles. Safe journey.