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‘Fantastic Bore’ Is Frustratingly Awful

Fantastic_Four_2015_posterI am at a loss for words on how uneventful this movie is, so no time for a clever opening. Let’s just get right into this evisceration.

“Fantastic Four” is the latest attempt to reboot the Marvel Comics team of the same name, and stars Miles Teller, Michael B. Jordan, Kate Mara and Jamie Bell as Mr. Fantastic, the Human Torch, the Invisible Woman and The Thing, respectively. [Normally this is where I would insert a brief plot summary, but truly this film is so massively uneventful that I couldn’t give you a storyline if I tried]. Josh Trank, who directed “Chronicle,” directs and co-writes here.

Right from its conception, this film was a mess. It was no secret that Sony made it simply to hold onto the rights, and then there are plenty of stories of Trank showing up on set stoned and drunk, or not showing up at all (for legal reasons, I should say “allegedly”). Then they had to do extensive reshoots, which are painfully obvious due to haircuts/wigs and awkward dialogue dubs. In all honesty, look up all the behind-the-scenes drama involving the director and producers; it is 100x more entertaining than the movie they ended up creating.

On top of those red flags, ear-piercing alarms should have been sounding when it was announced the film wouldn’t allow reviews to be posted until the day before release (which is as sure a sign that a movie is terrible as dark clouds mean it’s going to rain), and lead actor Miles Teller saying that none of the stars had seen the finished film, and that “rarely are films of this size critically well received”. That’s…comforting.

Boy, halfway done with this review and all I’ve done is give reasons why we all thought it would fail. Where are my manners? Who knows? Maybe all the reshoots and on-set tension created something truly special, and we were worrying for nothing! (We weren’t, though, this movie is awful)

I truly, honestly, sincerely have no idea where to begin. I am genuinely at a loss for words, and that isn’t a great thing to be considering my God-given talent (and livelihood) is putting pen to paper. I guess we can start with how badly they botched the amazing cast. I am a huge Miles Teller fan; I’ve had a man-crush on him ever since “21 & Over.” But here? Oh boy, did Trank and Co. try their very hardest to make him awful. The entire cast, in fact; they’re all talented young actors who together have no chemistry. I hate to compare this to the 2005 film because I think reboots should be judged on their own accord, but say what you will about the old F4 films, at least the four members seemed like they were friends.

Next is the “plot.” If you’ve seen the trailer you’ve seen the film. I remember watching the trailers and every time I would think, “this looks like it’s spliced from just three scenes, what’s the plot?” And I was right to question; there is no plot. What shred of a narrative there is revolves around the group building an interdimensional transportation device (because simply going to space nowadays is too mainstream), getting their powers, and then everything kind of rushes an oh-my-god awful ending.

Seriously, though, the ending to this movie is just…I don’t even know. To steal a quote from Michael Scott: “It’s simply beyond words. It’s incalculable”. The first third of the film is innocent enough, showing a young Teller trying to crack all the science, and then there’s a few (I stress, A FEW) interesting and fun moments. Then they get their powers by traveling to “Planet Zero” (named after how much interest I had left in the film by this point) and Trank treats it like a horror film, which for a second I liked. The idea of finding your one friend burning alive and another trapped in a pile of rocks is enough to break a psyche. But then they skip ahead a year (because who wants to watch them struggle and learn to control their new powers, right?) and everything gets worse. You get bored and the film goes nowhere.

Then the climax happens, and oh my God. I didn’t think it was possible to have negative amount of suspense or emotional attachment to a film, but give “Fantastic Four” credit because it did just that. When Victor Von Doom (Toby Kebbell) arrives to be the villain (after all, with a name like that, he had a limited pool of career choices), you don’t care. There is one fun tracking shot of him walking down a hallway and he makes everyone he passes’ head explode, but then he engages in a horrible CGI battle with the Four. And you just. don’t. care.

Look, I could go on for days about why this movie is awful, but my head may just explode like one of those poor people Dr. Doom strolls past. The film plays out as one big (boring) trailer for future films, which, based on critical and fanboy reception, I doubt we’ll ever see, and it’s adorable the filmmakers thought they ever would. “The Incredibles” remains the only truly good Fantastic Four film, and this makes the 2005 film and its sequel look like “The Dark Knight.”

I thought critic Ben Mankiewicz’s description of the film perfectly sums everything up: “it feels like the first episode of a TV series that you are certain to not watch the second episode of.” Amen, brother. “Fantastic Four” is not fun, it’s not exciting and it’s certainly not good. Just go plop yourself down in front of the dryer for an hour 45; you’ll get more entertainment and odds are more character development than this film could ever offer.

Critics Rating: 2/10

Variety

Variety

‘Transcendence’ Nothing Special or New

Transcendence2014Poster            You know those movies that leave the audience with burning questions about real life issues? Yeah, “Transcendence” isn’t one of those movies.

Directed by cinematographer Wally Pfister in his directorial debut, the film stars Johnny Depp as an artificial intelligence researcher who is mortally wounded by a radical anti-technology group. Before he dies, however, his wife Evelyn (Rebecca Hall) uploads his consciousness to a computer. As the radical group approaches to finish what they started, Evelyn must decide if the intelligence claiming to be her deceased husband is who it says it is. Sound confusing? Yeah, you’re telling me.

This film features a rookie director, a rookie screenwriter and an ensemble cast. All three were red flags before the title card in “Transcendence” even showed up on the screen. Pfister is a fantastic cinematographer (he won an Oscar for “Inception”) but maybe he should not quit his day job anytime soon. His first time in the director’s chair, Pfister heads a film with pacing issues and a narrative that ranges from awkward to just plain non-existent. Oh, and the movie really doesn’t know what it wants to be or what messages it wants to send, either.

In the film’s opening act there is a decently thought provoking line about whether man creating artificial intelligence and “playing God” is any different than mankind “making up gods” throughout history. Then they drop that possible storyline for the whole “anti-technology” group. Then yet again the film decides that angle isn’t interesting enough so it goes into whether A.I. is capable of comparing to humans. If you haven’t figured it out yet, allow me to clarify: the film is a mess.

There are some redeeming qualities to the film. Obviously with Pfister being an award winning cinematographer, the movie is shot beautifully; even if half of the cool shots are completely irrelevant to the scene. For example the very first shot of the film shows rain on a window and car headlights blurred in the background. The movie then cuts to a completely unrelated scene and starts the actual story. Was the shot cool to look at? Sure. Was it confusing and irrelevant? You betcha.

The movie does make a couple interesting points about where we’re going and how we may be letting technology get the best of us, but these aren’t things that you haven’t read about or pondered before; go to any website and they’ll tell you to put down your phone and go play outside. You don’t need to pay $10 to have the voice of Johnny Depp tell you.

For what it was striving to accomplish, “Transcendence” fails. It went for broke and came up short, but not horrifically. There are a few interesting parts and for about five seconds you actually wonder if Johnny Depp’s A.I. is good or evil, but in the long run this is a very forgettable film. I guess you could say that “Transcendence” transcends the definition of an average film [I’ll pause so you can laugh].

Critics Rating: 5/10