Director Amma Asante brings us a rebel with a cause in the form of ‘Pride and Prejudice’. Dido Elizabeth Belle (Gugu Mbatha-Raw), a girl of mixed race is raised by her uncle, a highly respected judge, Lord Mansfield (Tom Wilkinson). Attempting to break free from the house rules she’s been raised by, Dido becomes instrumental in a court case concerning the human rights of slaves.
Cinematographer Ben Smithard is part of the reason as to why ‘Belle’ is a beautiful film (no pun intended). It is indeed a high class society and, on top of the immaculate costume design (thanks to Anushia Nieradzik), the film emits the kind of sophistication that made audiences flock to films like ‘Pride and Prejudice’ and ‘The Young Victoria’. While the subject matter may not be as elegant as its setting, Smithard’s frequent use of wide shots truly makes ‘Belle’ an exquisite film.
Gugu Mbatha-Raw is perfect as Belle. Her onscreen presence is never dull and keeps us intrigued with every quick-witted remark, every concern, and every disappointment. The way that she responds in the privacy of her own room in a particular scene in which she feels very cut off from the rest of her family is compelling and though it may not be enough to merit an Oscar nod (on account of it being a bit early in the year that this film was released), it is indeed noteworthy, and thus, sets the standard for her bright future. Paired with her onscreen uncle (Wilkinson), she carries her own weight against the veteran actor and her confidence in the character she portrays (based on true events) makes the subject matter all the more relevant juxtaposed to the developing love story.
With a lot of films being more focused on the oppression of those of African descent on the poorer side, ‘Belle’ does the opposite. Asante and screenwriter Misan Sigay show that she was very well-accomplished, determined, intelligent, and in good fortune. Although she did struggle largely with others in her society not being able to look past her skin color, ‘Belle’ focuses on her character development. Her focus slowly comes off of her own hardships and onto those less fortunate. It’s not a common statement we see stressed in films, which is very refreshing especially with “12 Years a Slave’s” release and success.
The cast and crew give the film’s atmosphere a very ‘Pride and Prejudice’ feel with its main character not being able to see past her own prejudices and also being introduced to a man whose attempts in opening her eyes is misjudged by her. Despite the set design and dialogue also paying homage to Jane Austen, the true imitation lies in the main character and that of her love interest. Although seemingly a perfect match—especially in a scene where he confronts her uncle out in the street—Sam Reid, in his role as John Davinier, constantly crosses the line of melodrama. His performance, at times, is almost too passionate to the point of obnoxiousness and, at other times, not passionate enough. Reid’s struggling confidence in the role isn’t without its uses especially where the situation is a bit awkward or when the two are getting to know each other.
As previously mentioned, ‘Belle’ is a refreshing story about that of a woman of African descent in England’s high society being confronted with the hardships of those less fortunate facing even harder situations due to the color of their skin. Nevertheless, focusing a bit more on the actual court case would’ve also been interesting to witness. Lawyers debating for and against the human rights of slaves would not only work to open Dido’s eyes even further, but also to that of her uncle.
‘Belle’ is a unique and beautiful film based on a true story and a story that still has relevance today. Although some of the acting is a bit over the top, the film’s messages are subtle, but too important to ignore.
Jim’s Rating: 7.25/10