Tag Archives: edward norton

From ‘Avengers’ to ‘Thor 2’, Let’s Rank the Marvel Movies

With the release of “Avengers: Age of Ultron” it is only natural to create a list ranking all the Marvel movies so far. Because why have your own opinion when you can read mine, right? From 11 to number one, here is how the Avenger movies stack up in my book.

11.) THOR: THE DARK WORLD

I think this one is universally accepted as the weakest entry in the franchise, and is the only genuinely bad film of the series to date. People said the first “Thor” was forced and felt obligatory (more on that in a second), but this one made its predecessor look like the epitome of Marvel movies and how they should be. It is dumb, noisy and boring, and features a material with a changing list of abilities. It really felt like nothing but a cash grab for the entire runtime. Thank God they’re making a third one, right? [sighhh]

thor-the-dark-world

Variety

10.) CAPTAIN AMERICA: THE FIRST AVENGER

Many things in this one work, however there are a lot of aspects that simply don’t. It features some fun 1940’s World War II scenery, not to mention the whole scrawny Steve Rogers thing was well-done, but at times felt disjointed, featured a material with a plot-reliant list of powers (seeing a pattern?), and essentially was one big movie trailer for the “Avengers”.

captain-america-300x199

ScreenRant

9.) THOR

It is a lot of fun, and thanks to director Kenneth Branagh has a nice Shakespearian flare about it. Forget that Loki’s plot doesn’t make sense when you think about it for more than a minute and that most everything that happens is negated by the next film. It still is light years better than its sequel.

thor

 8.) THE INCREDIBLE HULK

Before Mark Ruffalo was turning green, Edward Norton starred as everyone’s favorite physicist with an anger issue. The film features a fun villain (Tim Roth’s Abomination) and was the first real hint that the Marvel Cinematic Universe was going to actually come to fruition.

the-incredible-hulk-movie

7.) IRON MAN 2

Sure, this film has its flaws and is nowhere near as good as its predecessor, but it is too much fun to hate. Downey’s charm is impossible to resist and let’s be honest: this is still a way better sequel than “Thor 2” (yep, I’m just going to keep bashing).

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ScreenRant

6.) GUARDIANS OF THE GALAXY

Now we’re getting into good-near-great territory. When this came out last year, few knew what it was; much less that it was a part of the Marvel Universe. However 9 months and $775 million later, you would be hard-pressed to find someone who hasn’t seen the misadventures of Rocket and Groot. It is random and colorful and just a lot of fun.

Variety

Variety

5.) AVENGERS: AGE OF ULTRON

It may not be the redefining superhero film some were hoping for, and may feature one of those darn ability-changing materials, but it is honestly hilarious and features some of the most ingenious and entertaining action sequences I’ve seen in a long time.

Variety

Variety

4.) THE AVENGERS

I’m not a fanboy of this film like it seems most people are, I recognize its flaws (like its darn use of an ability changing—forget it), but it was able to fit six superheroes into one film seamlessly, and was immense fun to boot.

Variety

Variety

3.) IRON MAN 3

This is where people may scratch their heads and/or get upset, depending on how much of a comic book fan they are. I personally loved this film, thanks in large part to director Shane Black’s writing. It is clever, self-referential and had some nice twists. It’s been two years; let’s stop pretending that one scene ruined this entire movie.

Variety

Variety

2.) CAPTAIN AMERICA: THE WINTER SOLDIER

I adore this film. I saw it three times in theaters alone. It blew me away. It is everything the first “Captain America” was not, and in all the best ways. It is perfectly directed, cleverly written and immensely entertaining. It could be argued that it could be the top choice on the list, and I would have no arguments. It’s that much fun.

Variety

Variety

However it is not number one, because that title belongs to…

1.) IRON MAN

And here it is, the one that started it all. I remember seeing the trailers for this one and thinking it looked dumb, and leaving the theater floored. It was nothing like I had ever seen before, and remains, in my humble opinion, the greatest comic book movie ever made (“what about ‘The Dark Knight’?!” Oh, stop with that nonsense). It reintroduced the world to Robert Downey Jr., and seven years later I think we are all the better for it.

robert-downey-jr-tony-stark

There’s my list of the Marvel movies from top to bottom. I am excited to see how “Ant-Man” (the final film in Phase 2 of the Marvel Cinematic Universe) plays out this July, mostly just because Paul Rudd is the man. However the film I really can’t wait for is “Captain America: Civil War”, which drops next May. Honestly, “Batman v Superman” is cool and all, but I am more pumped to see Iron Man take on Captain America, mostly because that film isn’t being directed by Zach Snyder…

Keaton and Norton are Perfect in ‘Birdman’

Birdman_posterSometimes a film has a large scope and just isn’t able to fill it. Whether it is the visual ambitions or just from a technical standpoint, a director’s goals just sometimes don’t pan out on screen. “Birdman” is absolutely not one of those films.

“Birdman” stars Michael Keaton as a washed up actor who is known for formally portraying a superhero in movies (kind of ironic). To try and remain relevant and prove he is capable of being a true actor, he mounts a Broadway play while at the same time battling his family, his costars and himself. Edward Norton and Emma Stone costar and Alejandro González Iñárritu writes and directs.

“Birdman” does something I’ve never seen before: it shoots the entire film as if it is one continuous take, with each scene seemingly transitioning to the next with no edits. While obviously the entire movie was not shot in 120 straight minutes, each scene seems to be one take. This is not only is impressive from a filmmaking standpoint, but also becomes mind-blowing when you think of the pressure that put on the actors to not screw up; and is even more amazing when you see the results.

Michael Keaton and Edward Norton give two of 2014’s best performances, if not two of the better acting jobs in recent years. Keaton plays a man trying to remain relevant well past his prime, but “mocks Twitter and won’t even get a Facebook page” as his daughter (Stone) says. He has moments of dark humor, the entire film does, but it is the scenes that show him fighting his inner demon (in the form of the voice of a man in a bird costume) that are the best.

Norton may be even better playing a Broadway actor who thinks his he is God’s gift to the stage, and when someone does something to ruin his techniques, he voices his distaste, even if it’s in the middle of a live performance. There is one scene between Norton and Stone (who is fantastic in her own right) that is just insanely fun and pretty damn well-executed, and if Norton gets the Oscar nomination that he deserves then that scene will likely be used as his submission tape.

As near-perfect as the acting in “Birdman” is, the messages it sends are just as good. One is all about the differences between actors and celebrities, and how many actors have traded in genuine craft for capes, and judge their career on weekend box office totals. Another underlying message is that critics are just those who failed at the craft themselves; like they say, those who can’t do, teach (ouch).

The score of the film is also amazing, and it seemed that on numerous occasions it was the transition between scenes with its drums and symbols.

“Birdman” is nearly perfectly executed on near all fronts. The acting and score are phenomenal, Alejandro González Iñárritu’s direction and screenplay are infectious, and the continuous shot gimmick is anything but (next movie I see the edits and different angles are going to be painfully glaring). The third’s final act gets a little out there, and the ending in particular is a bit ambiguous, but these don’t ruin the film. Much like Keaton hearing the voice of Birdman, I can’t get Norton and Keaton out of my head, and I’m sure this won’t be the last that I, or you, hear about their performances for a long time.

Critics Rating: 9/10