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‘Cruella’ Review

I really think I like these live-action Disney remakes more when they add onto the original stories and aren’t just shot-for-shot remakes like “The Lion King.”

“Cruella” is the origin story for the “101 Dalmatians” villain, with Emma Stone in the titular role as the criminal mastermind obsessed with fashion. Emma Thompson, Joel Fry, Paul Walter Hauser, Emily Beecham, Kirby Howell-Baptiste, and Mark Strong also star, with Craig Gillespie directing.

You can just engrave the 2021 Oscars for Hair & Makeup and Costume Design to this film already, because from the opening frame to the closing shot they steal the show. Taking advantage of London’s 1970s fashion scene, Jenny Beavan (a two-time Academy Award winner herself) creates elaborate dresses and detailed jackets, and has each character leap off the screen.

Aiding them greatly is Emma Stone, who continues to somehow impress and surprise me despite already being an Oscar winner. Stone makes the character of Cruella her own and in a way gets to play dual roles, since the film presents the black-and-white haired Cruella as a mysterious alter-ego to Stone’s timid Estalla, a product of the streets growing up. Stone carries her normal charm and wit, and gives one of the better performances of these Disney remakes.

I also really liked Joel Fry and Paul Walter Hauser as Jasper and Horace, Cruella’s (somewhat reluctant) partners in crime. Fry has good comedic timing and Hauser has shown he can play a likable buffoon, and the pair play well off Stone’s energy. It is also always a treat to see Emma Thompson in anything, much less getting to have her chew scenery as a bad guy.

The film has a great energy about it, and for the most part you don’t feel its 134-minute runtime. Full of incredible music and snappy direction, the film moves along well, only really struggling in the third act where things get a little too repetitive. It could also be argued that this is not a kid’s film (it is rated PG-13), but there isn’t anything too crazy here that a 10+ audience couldn’t handle.

As we start to get back to normal and theaters return to the forefront, it is good to see we will have some quality pictures to check out. “Cruella” plays out like “Joker” and “The Devil Wears Prada” had a lovechild, but I really enjoyed myself during it and recommend supporting your local theater by seeing a film so vibrant on the big screen.

Critics Rating: 8/10

‘Mr. Banks’ Full of Magic and Heart

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             It may come as a surprise, especially when you look at all the blockbusters that Hollywood releases nowadays, but there once was a time where movies were entertaining due to the charm of its actors and the wit of the writing. “Saving Mr. Banks” not only is such a film, but it depicts the making of one as well.

Tom Hanks stars as Walt Disney, who is struggling to get the film rights for Mary Poppins from author P.L. Travers, played by Emma Thompson. Disney then invites Travers to Los Angeles in an attempt to persuade her. John Lee Hancock directs.

When depicting a real life person in a film, there are so many things that an actor has to get just right, because there is an actual template that they must follow. Both Hanks and Thompson nail their portrayals of their respective historical figures, from Walt Disney’s Midwestern drawl and signature mustache to P.L. Travers’ gleeful nagging and British tone. Both actors become the people they are portraying and are joys to watch.

The real standout of the film, however, is Colin Farrell, who plays Travers’ alcoholic father. Farrell is nothing short of fantastic playing a man whose disease is slowly separating him from his family, but he still has love for his daughters. Farrell provides the film with the majority of its emotion, both laughter and sadness.

Now this may be produced by Disney and be about the making of a children’s movie, but “Mr. Banks” is not all cotton candy and rainbows. There are some seriously deep, almost depressing moments involving Travers and her father, which is both a strength and fault of the film.

While the more heavy tone is handled well and keeps the movie from being too over-the-top schmaltzy, it sometimes comes without warning and the tonal shift may take the viewer out of the film. Once again, it was done very well by Farrell and the director Hancock, just, you know, heads up.

Of course the movie is not 100% historically accurate and the portrayals of the characters are idealized, particularly that of Walt Disney. I mean, the movie is being produced by Disney, so I doubt they are going to show the side of Walt that was a ruthless businessman who was hesitant to give any creative say to a headstrong woman. But that “sanitation” is expected, and Hanks does a good job at showing us the side of Walt Disney that society wants to see.

“Saving Mr. Banks” features great performances across the board, including B.J. Novak and Jason Schwartzman as the musical Sherman brothers and Paul Giamatti as Travers’ limo driver. Director John Lee Hancock handles most of the dramatic scenes with finesse, and the Mary Poppins songs will keep you humming long after you’ve left the theater. Sure, it may be Oscar-bait, but it is a well-executed film and fun to watch Hanks and Thompson go back and forth. And in a world of sequels and big budget blockbusters, that is good enough for me.

Critics Rating: 8/10