Tag Archives: cate blanchett

‘Ocean’s 8’ is Simple Fun that Goes Down Smoothly

As far as all-female reboots/re-imaginings of classic film franchises go, the bar for this to beat “Ghostbusters” was not that high…

“Ocean’s 8” stars Sandra Bullock as the estranged sister of Danny Ocean, and follows her as she puts together a crew of women to steal a diamond necklace during the Met Gala in New York City. Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Awkwafina, Rihanna and Helena Bonham Carter fill out the group as Gary Ross directs and co-writes.

I don’t think anyone was dying to see this franchise revisited but when it was announced with the gender-swap twist there really wasn’t much backlash like the “Ghostbusters” remake/reboot saw. This was mainly because the trailers weren’t historically bad and the fanbase isn’t as cutthroat as that of “Ghostbusters.” And for the most part, also unlike “Ghostbusters” (which I’ll stop comparing this to because it’s a lazy association), “Ocean’s 8” does a good job of setting itself apart from its predecessors and (mostly) never trying to duplicate or one-up them.

The cast is obviously top-notch, full of Oscar, Emmy and Grammy winners, and they for the most part get equal screen time to play around. Some of them do get pushed to the side save for a randomly inserted “look at the crew bonding!” clip, like when Awkwafina shows Mindy Kaling how to use Tinder in a scene that last 30 seconds and leads nowhere. Anne Hathaway, my first true Hollywood crush, comes close to stealing every scene she is in playing a ditsy celebrity who is the target of the heist. Hathaway is essentially the exaggerated meme that society and the Hathahaters have painted her out to be and it’s a blast watching her play into it.

Much like the heist itself the glue at the center of the film is Bullock, who carries herself with a cocky but still kind-hearted way about her. We aren’t given much to her character besides she’s a thief who likes thieving and has a few bad relationships from her past but that never really hinders our viewing experience. James Cordon also shows up toward the end of the film and while the plotline he’s involved in goes on for far too long, he provides some of the film’s biggest laughs.

Now the heist itself is alright, there are a few intense moments and a couple creative ways the crew works around problems, but there are also *a lot* of things we’ve seen before, not only in the previous “Ocean’s” films but just heist plots in general. There is also a twist that I did not think was handled well (or plausibly) and it was only made worse by the fact that the marketing campaign inadvertently spoils it.

The film is shot well with a nice gleam (this is the Met Gala, after all) and the editing is sometimes fun and quick but other times holds for too long or don’t create a beat for the dialogue to be delivered properly.

“Ocean’s 8” is light entertainment that for the most part does not try to be anything else. There a few fun cameos and amusing one-liners, but mostly this is a movie focused on letting several Hollywood stars have a great time and allow the audience to do the same and there’s usually nothing wrong with that.

Critic’s Grade: B–

‘Monuments Men’ a Big Bowl of Meh

monumnets

 

            I personally love historical movies, especially those set in the 1940’s. Seeing as “The Monuments Men” is set in the end of World War II, and boasts an impressive cast that includes George Clooney, Matt Damon, John Goodman and Bill Murray, it had all the makings of a fantastic film. Unfortunately, it does not live up to its lofty ambitions.

Directed by and starring Clooney, “Monuments Men” is the true story of a team of artists and architects assigned to find and protect paintings and statues that have been stolen by the Nazis.

The film was originally slated to be released in December of last year; however, it was postponed until this February in order to finish editing the special effects. When a film willingly bows out of Oscar season, it is usually not a great sign. And after seeing the film, my suspicions and worries were justified.

The movie is not awful, but it just falls short on almost every level it was striving for. The trailers implied it was going to be a blend of comedy and drama; that was in fact one of the reasons the movie was delayed, to properly edit the two genres. Every attempt at humor falls flat, or the scenes are just plain unfunny. This is hard to blame on the actors, who feature established comedians such as Murray and Goodman. Instead, the fault lies on the screenplay (written by Clooney and his production partner Grant Heslov), for writing jokes and one-liners that are as stale as a week-old sandwich.

The pacing and narrative are also a large issue. Because there are so many characters in the film, it is hard to feel any real connection to them; it also makes the story arch a little stretched, and thus slow. There are quite a few dull moments in this movie, most of them coming whenever Cate Blanchett’s French art expert is on screen. Her side story however is uninteresting and, for the most part, unneeded.

The film does have some positives. The chemistry between the star studded cast is at times entertaining to watch, and all the actors do seem to try their hardest. The production value and scenery are also very well-done, and at times you are immersed in the ruins of a bombarded, war-torn European city. It was also interesting to see the pictures of the real life Monuments Men at the end of the film.

Its ambitions are large and its intentions are pure, but “The Monuments Men” fails to be anything more than a history lesson, and more often than not it is a pretty boring one. If you are a lover of historical art and monuments, then this may be worth checking out once it hits video. Otherwise this is an ever-so-slightly entertaining, albeit forgettable, George Clooney vehicle.

Critics Rating: 5/10