Monthly Archives: February 2014

Let It Go

While I have yet to succumb to peer pressure and go see Disney’s “Frozen,” I finally did listen to “Let It Go,” which has been nominated for an Oscar for Best Song.

Now, I have no idea what context this song is coming from, but I can safely say that I really, really love it. It’s all about accepting who you are and owning it.

The older I get, the more I love Disney movies. As a kid, these films, songs, and stories were just plain out fun. As an adult, I find I appreciate them more and more. It’s like enjoying the layers of a cake instead of just binging on the frosting.

With that in mind, since this Book Addict is still trying desperately to catch up with her reading, I thought I’d do a fun little series about Disney. So we’ll be exploring some great stories, quotes, and songs from some of their best films.

Next time: We start with “The Jungle Book”

Thank You Notes

I’ve talked about the lost art of the letter before, but I just wanted to take a minute to spotlight thank you notes.

If there is nothing quite so nice as a letter, there is also nothing quite so nice as getting a handwritten thank you note from someone.

I always try to send them to people to show my gratitude, and I was the lucky girl who got one recently as well. It put a bounce in my step for the rest of the day, knowing that someone had taken the time to write me such a lovely little message.

So slow down, and take the time.

If I loved you less, I might be able to talk about it more.”

At any given time, I can usually be counted on to be reading a Jane Austen novel. It doesn’t matter how many times I’ve read them before; every time I find something new to enjoy.

And let me tell you something: Jane Austen is perfect for Valentine’s Day.

Her books are often seen as a satire of gentrified country life, or rom-com love stories.

Which they are.

But, I think I am versed enough in her work to be able to say that Miss Austen was very astute not only in her observations about life and people, but about love. She was a practical person, and she believed, rightfully so, that there was more than just one person out there who was capable of making someone else happy. She believed that love was not always perfect, but that it makes us strive to be our best selves, even though there will be times we will fail.

That being said, she was also a romantic. Anyone who has read Persuasion will know that.

So on this day of romance, my gift to you, Dear Reader, is a little collection of some of Austen’s most romantic moments in her novels. Enjoy, and a happy Valentine’s Day to you.

1) Sense and Sensibility

“If I could but know his heart, everything would become easy.”

“I come here with no expectations, only to profess, now that I am at liberty to do so, that my heart is and always will be yours.”

“What do you know of my heart? What do you know of anything but your own suffering? For weeks, Marianne, I’ve had this pressing on me without being at liberty to speak of it to a single creature. It was forced on me by the very person whose prior claims ruined all my hope. I have endured her exaltations again and again whilst knowing myself to be divided from Edward forever. Believe me, Marianne, had I not been bound to silence I could have provided proof enough of a broken heart, even for you.”

“I can feel no sentiment of approbation inferior to love.”

2) Pride and Prejudice

“A lady’s imagination is very rapid; it jumps from admiration to love, from love to matrimony in a moment.”

“In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.”

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”

“There are few people whom I really love, and still fewer of whom I think well.”

“I cannot fix on the hour, or the spot, or the look or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.”

“To be fond of dancing was a certain step towards falling in love.”

“Her heart did whisper that he had done it for her.”

“I have been meditating on the very great pleasure which a pair of fine eyes in the face of a pretty woman can bestow.”

“We can all begin freely–a slight preference is natural enough; but there are very few of us who have heart enough to be really in love without encouragement.”

“We neither of us perform to strangers.”

3) Emma

“I may have lost my heart, but not my self control.”

“If I loved you less, I might be able to talk about it more.”

“Men of sense, whatever you may choose to say, do not want silly wives.”

“She was one of those who, having once begun, would be always in love.”

“it’s such a happiness when good people get together.”

4) Mansfield Park

“But there certainly are not so many men of large fortune in the world as there are pretty women to deserve them.”

“No man dies of love but on the stage, Mr. Crawford.”

“Good-humored, unaffected girls, will not do for a man who has been used to sensible women. They are two distinct orders of being.”

“You must really begin to harden yourself to the idea of being worth looking at.”

5) Northanger Abbey

“I have no notion of loving people by halves, it is not my nature.”

“To look almost pretty is an acquisition of higher delight to a girl who has been looking plain the first fifteen years of her life than a beauty from her cradle can ever receive.”

“Beware how you give your heart.”

“Where the heart is really attached, I know very well how little one can be pleased with the attention of anybody else.”

“A young woman in love always looks like Patience on a monument smiling at Grief.”

“Friendship is really the finest balm for the pangs of disappointed love.”

6) Persuasion

“You pierce my soul. I am half agony, half hope… I have loved none but you.”

“There could have been no two hearts so open, no tastes so similar, no feelings so in unison.”

“All the privilege I claim for my own sex (it is not a very enviable one: you need not covet it), is that of loving longest, when existence or when hope is gone.”

“A man does not recover from such devotion of the heart to such a woman. He ought not; he does not.”

“Anne hoped she had outlived the age of blushing; but the age of emotion she certainly had not.”

“We certainly do not forget you, so soon as you forget us. It is, perhaps, our fate rather than our merit.”

“Their union, she believed, could not divide her more from other men, than their final separation.”

“Unjust I may have been, weak and resentful I have been, but never inconstant.”

“She had been forced into prudence in her youth, she learned romance as she grew older.”

 

The Monuments Men

In keeping with the theme of my most recent entry, I wanted to take a few moments to talk about “The Monuments Men,” which will be in theaters on February 7th. (Which is also Charles Dickens’ birthday!)

Our good friends at IMDb have this to say about the movie:

“Based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on an unlikely World War II platoon, tasked by FDR with going into Germany to rescue artistic masterpieces from Nazi thieves and returning them to their rightful owners. It would be an impossible mission: with the art trapped behind enemy lines and with the German army under orders to destroy everything as the Reich fell, how could these guys–seven museum directors, curators, and art historians, all more familiar with Michelangelo than with the M-1–possibly hope to succeed? But as the Monuments Men, as they were called, found themselves in a race against time to avoid the destruction of 1,000 years of culture, they would risk their lives to protect and defend mankind’s greatest achievements.”

Oh, and Hugh Bonneville is in it.

So that’s a bonus.

The film was directed by George Clooney, who also stars in it alongside Matt Damon, Bill Murray, John Goodman, Jean Dujardin, Bob Balaban, and Cate Blanchett.

The story of the Monuments Men is still very much alive, especially in recent news. A Nazi art cache was recently discovered, containing pieces that many thought had been lost forever.

Someone once asked Winston Churchill if he would cut government funding of the arts in order to support the war effort, and the war debt.

His reply?

“Then what are we fighting for?”