Tag Archives: rotten tomatoes

‘The Purge: Anarchy’ Vastly Better than First

The_Purge_–_Anarchy_Poster            “Spider-Man 2”. “The Two Towers”. “The Purge: Anarchy.” Bet you never guessed those three films would be mentioned together, yet here they are. And what do all these films have in common? They are all sequels that vastly improve upon their predecessors.

Set in the year 2023, America has been “reborn” (as the film reminds you a dozen times) due to one night a year where all crime is legal. A stranded couple, a kidnapped mother and daughter, and a man out for revenge are all left on the streets when the annual “Purge” commences, and must team up to survive the night. James DeMonaco, writer/director from the first film, returns.

The first “Purge” film was very meh. It had an interesting premise, but that’s about as far as it got. It really didn’t take advantage of its “no laws” world, and instead opted to become a basic shoot-em-up home invasion thriller. With “Purge: Anarchy”, the filmmakers actually listened to the audience and gave us what we wanted: a glance at a world where all crime is legal.

The characters in this sequel are much more relatable, and much more intelligent, than those in the first. Frank Grillo, who is very underrated but a boss in most every role he takes, steals the show as a man who is trying to get revenge for his son’s wrongful death. He is the leader of the ragtag group, and is the glue that holds the film together. He’s much more entertaining than Ethan Hawke’s rich daddy role in the last film. You feel sympathy for the other characters, too, but you never feel any real emotional connection to them, which is pretty standard in a horror-action film.

That brings up another aspect where “Anarchy” improves: it doesn’t try to be an actual horror film and instead knows it’s an action thriller, that implements moments of tension and shock. There are some genuinely edgy parts of this film, especially when the group is lurking around the dark streets of Los Angeles, trying to stay out of sight from maniacs.

Now the film isn’t perfect, and most of the flaws are the same thing that held the first film down, albeit this time they aren’t as prevalent. There are still some dull moments, particularly those leading up to the commencement of the Purge, and there are still some horror film clichés, such as people tripping for no reason and cars dying just as they are needed most. Although, the film does give a solid explanation for the car’s battery failing, enough that I didn’t roll my eyes, so I’ll give them some points.

I enjoyed “The Purge: Anarchy”, probably for the same reasons most people will: it’s much better than the first film, and it actually delivers on its creative promise. Grillo is engaging, the action is very well shot and the immersing into this twisted world is very convincing. You can’t take a film like this too seriously, and it may try and reach too far towards social and political commentary, but if you take it at face value, “The Purge: Anarchy” is a fun time at the movies.

Critics Rating: 7/10

‘Sex Tape’ a Satisfying Comedy

Sex_Tape_(film)“Sex Tape” is pretty much what “The Wolf of Wall Street” would be on Casual Friday’s. The drugs, sex and language are all still present, just at a much more toned down level.

Cameron Diaz and Jason Segal star as a married couple who haven’t had as much personal time as they would like due to their two kids. So one day, in an effort to spice things up, Diaz suggests the duo makes a…sex tape! [cue applause for most inventive movie title ever] However when the tape is uploaded to the internet, they set out to destroy every copy. Jake Kasdan, who directed Diaz and Segal in “Bad Teacher”, directs here.

I went into this film hoping for the best but expecting the worst. While Jason Segal is always a likable presence, the last time he, Diaz and Kasdan teamed up was “Bad Teacher”, which was should have been entitled “Bad Movie” (ok, that one was a lob down the middle of the plate). But, to my surprise, I walked out of “Sex Tape” with a smile on my face.

Segal and Diaz have very solid chemistry together and that is obviously crucial in a comedy. They have some good back-and-forth, including several fantastic one-liners from Segal. Every supporting character lends a hand and has great give-and-take, too.

Rob Corddry and Ellie Kemper play another married couple and they have one of the best jokes in the whole film. The real show stealer, however, is Rob Lowe, who plays Diaz’s boss. In a role that breaks his normal mold, Lowe seems to be having a ball, and it’s a shame he only received 15 minutes of screen time.

What holds “Sex Tape” back, and what some people may not be able to overlook, is the script. While there are moments of true inspired comedy gems, there are also some forced jokes, and other juvenile ones that feel like they belong in an Adam Sander film. The tone sometimes shifts rapidly, too. This is probably due to there being three screenwriters credited; Segal, his writing partner Nicholas Stoller and Kate Angelo. One can assume Segal and Stoller did rewrites on Angelo’s earlier script, which would explain the sometimes messy storyline.

The film is also pretty tame, considering its plot and title. Save for an opening montage, the movie really never fully utilizes its R rating, which makes one wonder why they chose to play it so safe?

In a lot of ways, “Sex Tape” is like last year’s “We’re the Millers”; multiple screenwriters make for an uneven and bumpy trip, but you are willing to overlook most of the flaws because you are having such an enjoyable time. Plus it features a lead actress who proves that she is still very attractive, err talented. You know, at acting.

“Sex Tape” may not be for everyone, but I found it had enough laughs to warrant a viewing, and an entertaining one at that. In a summer of poor comedies (“Tammy”) and great comedies (“22 Jump Street” and “Transformers 4”), “Sex Tape” falls somewhere in the middle. If you can turn your brain off and just watch it for its entertainment value, then Segal and Diaz deliver the goods. (Upon rereading that last line, it sounded much dirtier than I intended and I apologize…)

Critics Rating: 6/10