Tag Archives: michael douglas

‘Ant-Man and the Wasp’ is a Predictably Lightweight but Fun Marvel Romp

Given the cultural significance of “Black Panther” and the sheer scope of “Avengers: Infinity War,” I feel this one was always going to play small-scale third fiddle…

“Ant-Man and the Wasp” is the sequel to the 2015 film “Ant-Man” and features Paul Rudd and Evangeline Lilly reprising their roles as the title characters. Michael Peña, Bobby Cannavale, Judy Greer, Tip “T.I.” Harris, David Dastmalchian, Abby Ryder Fortson and Michael Douglas also return as Walton Goggins, Hannah John-Kamen, Randall Park, Michelle Pfeiffer and Laurence Fishburne join the cast. In the film, Ant-Man and the Wasp must hunt down a stolen piece of technology in order to try and save Douglas’ wife from being trapped in the quantum realm (in layman’s terms, she shrunk so small she has been stuck between two atoms for 30 years). Peyton Reed returns to direct.

I wasn’t the biggest fan of the first “Ant-Man” film and actually think it is one of Marvel’s weaker outings. It just is never as inventive, clever or funny as it thinks it is and plays out like an “Iron Man” remake on a lesser scale. I wasn’t expecting too much from this sequel, even if Marvel is on a streak right now of putting out films that are changing the superhero landscape for good (“Thor: Ragnorok” and the aforementioned “Black Panther” and “Infinity War”), but maybe it was those low expectations that made “Ant-Man and the Wasp” pretty enjoyable.

Paul Rudd is perfect in most everything he does and is really one of the only actors who could pull off a superhero like Ant-Man. He is funny and reluctant yet brave and loyal and is able to have natural chemistry with anyone he is sharing a scene with. Michael Peña, a fan favorite from the first film, returns and again has some standout moments of ADD energy while Michael Douglas is given a few more chances to earn some laughs while also carrying the film’s more emotional scenes. Newcomer Randall Park was probably my favorite addition playing the FBI agent assigned to keep an eye on Rudd following his house arrest, and he without a doubt provides the film with its funniest moments (side note: get me a Park and Rudd “Odd Couple” spin-off show now, please).

Aside from Park, all the newcomers to the cast feel like useless additions that are only there to push the plot. Hannah John-Kamen is the film’s main antagonist but her goals almost feel like a side quest and really only exist to give the film a faux sense of urgency, while Michelle Pfeiffer and Laurence Fishburne portray people from Douglas’ past that, while the mention of their characters is important to the plot, their actual presence is not.

And that is really the film’s biggest issue, that there is no urgency or real weight. The entire plot takes place over about a day and there are certain characters that feel added for the sake of runtime or because the producers wanted to see a tiny car turn into a big car and hurt some bad guys.

That being said, the action sequences are cool (as far, few and in between as they sometimes seem to be) and the going from big-to small-to big again gag is still amusing form the first film.

“Ant-Man and the Wasp” was never going to mean as much, have as much to say or be as charismatic as any of Marvel’s other tentpoles but that’s OK. Watching it is more often than not a blast and even if it fades quickly from mind a little (no ant pun intended) mid-summer distraction to hold us over until “Avengers 4” isn’t so much of a bad thing.

Critic’s Grade: B

Walt Disney

‘Ant-Man’ a Fun but Frustrating Marvel Ride

Ant-Man_posterIf nothing else, this is proof that Paul Rudd makes everything bearable.

“Ant-Man” is the latest film in the Marvel Cinematic Universe, and it stars Paul Rudd as the titular superhero. Armed with a suit that gives him the ability to shrink, career burglar Scott Lang (Rudd) is recruited by an aging scientist (Michael Douglas) to pull off a heist that will save the world from the scientist’s ex-protégée (Corey Stoll). Peyton Reed directs.

There was a lot of behind-the-scenes drama before “Ant-Man” even began filming. Originally, Edgar Wright was supposed to write and direct the film, however left after those pesky “creative differences” arose with the studio. So Marvel brought in Adam McKay (known for directing Will Ferrell flicks) to rewrite the script with Rudd, and “Yes Man” director Peyton Reed to helm the project. It was clear that they were trying to go heavier on the comedy than the action with “Ant-Man,” which may be where the film’s biggest pluses, and faults, lie.

The film is a bit frustrating in that it does a lot right, and creates a fun ride for the audience, but at the same time bogs itself down with a cliché and sloppy narrative. For every step forward “Ant-Man” takes, it takes one back. The biggest problem I have with the film is that essentially the first half, if not more so, is exposition and explanation. We are introduced to the characters, and rightfully so, but the movie beats us over the head with facts repeatedly, like how Rudd is a good guy who just can’t go straight, and how Douglas needs to make sure his research isn’t duplicated.

The film just feels cookie-cutter, and it feels that way because it is. The villain of the film (Stoll, known for “House of Cards”) is one big, bald cliché: the ex-protégée is angry at his former mentor and tries to get back at him. He then creates a bigger and badder version of the hero’s suit, and the two must face off (if that sounds like the ending to “Iron Man” it’s because it is). Not too much about “Ant-Man” felt refreshing or new, and one can only imagine how much more energetic it would have been had Wright (“Shaun of the Dead”) had stayed on as director.

That’s not to say the film doesn’t have its positives. Rudd is as charming as ever as our leading man; I’m pretty sure he could make reading the Wall Street Journal while eating a bowl of Fruit Loops into comedy gold. His wit and charisma save some scenes from feeling bogged down, and is believable in the action sequences. Michael Douglas turns in an entertaining performance as well, playing a man who truly cares about protecting his research because it is what’s best for humanity, not just for him.

Director Reed, like the film itself, is a mixed bag. He has a career in comedy, and most of the humor scenes are handled well; nothing ever feels too awkward or out of place. However it is the narrative and camera work that seemed slacking, which makes sense seeing as this is Reed’s first big-budget action flick. Most of the film is just build-up and preparation for the big heist, and when that finally comes it under-delivers. The film never truly flows well, and that usually falls at the fault of the man in charge.

“Ant-Man” is far from a bad movie, and it isn’t quite a failure for Marvel, but it certainly is one of their weaker films (I doubt anything will ever beat out “Thor 2” for their worst). Rudd and Douglas keep the film watchable, and some of the abilities they give Ant-Man are creative, but all these positives are almost knocked out by a tedious pace, formulaic plot and stereotypical supporting characters.

The film’s tagline is “Heroes Don’t Get Any Bigger Than Ant-Man.” Well they may not get bigger, but they certainly get better.

Critics Rating: 5/10

Variety

Variety

Take the Gamble with ‘Last Vegas’

Last_Vegas_Poster

            All too often when a movie has more than two big names, especially comedies, those big names phone in their performances and the result is a lackluster film. However sometimes, just as in Las Vegas, we can get a surprise. And that surprise comes in “Last Vegas”, a comedy starring Michael Douglas, Morgan Freeman, Kevin Kline and Robert De Niro as four lifelong friends who get together in Las Vegas for Douglas’ bachelor party. Jon Turteltaub directs.  

Ever since “The Hangover” has massive success in 2009, numerous films have tried to copy its “wolf pack in Vegas” formula and it almost always end up being a poor film (including the third Hangover film itself). But “Last Vegas”, despite all of its clichés and familiar plot, is likable and fresh, and that is due in large part to the chemistry between the four leads.

It would have been very understandable if the actors all licked a stamp and mailed in their performances (heck, De Niro has been doing it for near ten years now). We’ve seen movies with many big comedy stars get together and make an unfunny product (here’s looking at you, “Couple’s Retreat”). But never once in “Last Vegas” did I get the feeling the Oscar-winning actors didn’t care about being there, and that really added to the amount of fun I had with the movie.

The one who stands out the most is Kevin Kline. He has the largest character arch playing a man whose wife is allowing him to cheat on her while in Vegas in an attempt to save their marriage (they explain it better in the movie, I swear) and he then faces moral decisions the rest of the film. And some of those decisions lead to very funny moments, including one quick one-liner that left the audience roaring.

Yes, there is one (or five) too many Viagra jokes, and you can only poke fun at Florida for being the place elderly people go to die so many times, but for the most part these jokes never get annoying, it’s just sometimes awkward when no one laughs. And of course it is clichéd and predictable and the ending is all lovey-dovey and you get force fed life lessons about love and trust and never forgetting who your friends are. Because what would a movie be without life lessons? Look at “This Is the End”: it taught us to never hang out with Michael Cera because we won’t get raptured.

I don’t know why I liked “Last Vegas” as much as I did, but I just found it likable and charming. The actors are clearly having a blast, and Vegas is always makes for a fun backdrop (you know, unless you’re watching “Hangover 3”). If you like the actors, enjoy laughing, or Viagra puns are your thing (hey, no judging), then “Last Vegas” fits the bill. Because you know the saying: what happens in Vegas…can end up being a pretty fun time at the movies, assuming it’s not Hangover 3.

Critics Rating: 7/10