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‘The High Note’ Review

Sometimes you can’t think of a witty way to begin a review and just need to get into it, and this is one of those times.

“The High Note” stars Dakota Johnson as the personal assistant to a famous singer (Tracee Ellis Ross), who aspires to be a music producer of her own. Kelvin Harrison Jr. and Ice Cube also star as Nisha Ganatra directs.

Dakota Johnson is one of those actors who if you think of for just a second you may not picture her as charming simply because of the franchise she launched her career with is so bland (“50 Shades of Grey”), but she has since proven that she is likable and bubbly, and a welcome presence in any film she’s in (“How to Be Single” is fantastic fun). She again warms the screen with her dorkable simplicity here, and is sometimes enough to elevate a familiar story and sometimes aimless direction.

Johnson stars as Maggie, the personal assistant to Tracee Ellis Ross’ Grace Davis (for the uninitiated, Ellis Ross is the real-life daughter of Motown singer Diana Ross). Johnson, along with the scenes she shares with rising star Kelvin Harrison Jr., has a comforting screen presence about her that shines through, and despite being a beautiful movie star can sell the everyday normal girl.

Playing a middle-aged singer, Ellis Ross may be channeling some of her mom’s real-life career (a subplot involves her wanting to become just the second black woman over 40 to have a number one hit song). Ellis Ross is solid enough in the role and is able to bring some of the deadpan chuckles that has made her a standout in “Black-ish,” but her role and issues almost feel like afterthoughts to Johnson and her pursuit of a producing career. Nothing inherently wrong with that, however until the third act when the obligatory drama has to come to a head, Ellis Ross’ existence in the film doesn’t really feel necessary.

Shot by Jason McCormick who was the DP on “Booksmart,” the film looks warm and crisp, and the Los Angeles setting offers some beautiful backdrops and fun landmarks. There are a few nice color pallet choices, too, which keep some of the shot-reverse-shot dialogue sequences (some of which are witty and others bland) engaging.

With a film like “The High Note” I feel Joe Pesci said it best in “The Irishman:” it is what it is. It’s a light early summer rom-com that you’ve seen done before, and if you miss it then your life will continue on without any interruptions or love lost. But if you have two hours to kill (and right now, who among us doesn’t?) then you can do worse. Take that recommendation how you will.

Critics Rating: 6/10

‘Black Mass’ Highlighted by Depp’s Chilling Work

Black_Mass_(film)_posterWelcome back, Johnny Depp. It has been a very, very long time.

“Black Mass” stars Depp as real-life mobster James “Whitey” Bulger, and chronicles his reign as the crime boss of Boston in the 70’s and 80’s, all while an undercover informant for the FBI. Joel Edgerton and Benedict Cumberbatch are just two of the dozen big names that co-star as Scott Cooper directs.

They often say truth is stranger than fiction, and that is true with the Whitey Bulger story. A career criminal who tricked the FBI to arrest his enemies all while having a brother who is a state senator; Hollywood couldn’t come up with that on their own.

Like I said, it has been a while since we have seen Johnny Depp play a character we cared about in a movie that we liked. His last Oscar nomination was in 2008 for “Sweeney Todd,” and this year’s “Mortdecai” may have been the final straw, with many calling it the worst film and performance of his career. However ever since the first image of Depp as Bulger was released many have been hoping that “Black Mass” would be the shot of energy Depp’s career desperately needed, and thankfully (for both us and Depp) he turns in a near-career best performance.

Johnny Depp loves his makeup, that is no secret, and he disappears behind the wrinkles and black eyes of Whitey Bulger. Much like Jack Nicholson in “The Departed” (whose character was based off Bulger), Depp becomes more and more depraved and sadistic as the film goes on, and when the climax comes you are not sure what he is capable or willing to do.

The violence in “Black Mass” is like that of “Goodfellas”: bloody but swift. There are several well-crafted execution scenes however the most intense sequences are ones where Depp is just starring down someone from across a table not saying a word.

Speaking of “Goodfellas,” that leads me into the film’s flaws. It tries very hard to take from other gangster films, which more often than not makes us compare the film we’re watching to classic movies, and obviously it isn’t going to hold a candle to the greats. There is even a scene that tries to embody the same feel as the “funny how?” sequence from “Goodfellas,” and while it works in the moment, once it passes you realize it doesn’t hold the same weight as that Joe Pesci scene.

The payoff of the film also leaves more to be desired. The film goes from a guy getting taken out by Bulger and his crew in one scene to everything starting to get wrapped up in the next. In fact most of the film feels as if the filmmakers assume you know the Whitey Bulger story, and so it takes little time to introduce backstories, which makes us watch characters that feel more expendable than engaging (outside Depp and Joel Edgerton’s FBI agent).

Still, narrative flaws aside, there are several brilliant scenes sprinkled throughout “Black Mass,” and one in particular that may be remembered for a while. It is fantastically refreshing to see Depp return to a serious role, and I’m sure he will get some serious consideration come Oscar season. As a film, “Black Mass” is solid, but you’re going to see for Depp’s chilling performance, and it is what you will walk out remembering most.

Critics Rating: 7/10

Variety

Variety

There Are 100 Things Wrong with ’50 Shades of Grey’

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Fifty-Gray-posterWell…let’s get this thing over with, shall we?

“Fifty Shades of Grey” is based off the best-selling novel of the same name by E. L. James (maybe you’ve heard of it?). The film stars Dakota Johnson as Anastasia Steele, a recent college grad who falls for a young billionaire named Christian Grey, played by Jamie Dornan, who has very specific tastes, to keep things PG. Sam Taylor-Johnson directs.

I really had no idea what to expect as I walked into this film. I knew that the novel was controversial (I also heard it was one of the worst books ever written), but that’s about it. Even the trailers of the film didn’t do much to suggest a plot summary. Walking out I now know why the trailers didn’t show much: it’s because this movie isn’t about anything and is just downright awful.

I could probably write a thesis paper on what is wrong with this movie, but let’s start with the two leads, Johnson and Dornan. By themselves they’re both serviceable, but together they have almost an awkward amount of lacking chemistry, and are given some of the worst dialogue in the history of cinema to recite.

Seriously, within the first 10 minutes of the film I was cringing at some of the writing, and my friend even leaned over to me and said that the dialogue was awful. I can’t even repeat most of the lines because they’re hilariously intentionally vulgar, but I’ll give you an example of a scene that had me shaking my head.

After having met Christian Grey on two occasions combining for probably about 25 minutes of together time, Anastasia Steele drunk-calls him while out celebrating having just finished college. He gets all upset and mad at her, a 25-year-old woman, for being at a bar, and then somehow (never explained how) he finds her and brings her home. And then the next morning she’s all impressed and they begin their relationship. Like, no. I know Grey is supposed to be a control freak, but no one is that uptight about people they just met.

The pacing in this movie is also an atrocity; I saw people checking their phones every 10 minutes. Every scene consists of essentially the same arc. Christian and Anastasia do their “Fifty Shades of Grey” thing, Anastasia wants Christian to open up to her, he yells and says he can’t, she cries, rinse, repeat. It’s so mundane and repetitive that it makes this two hour runtime feel like an eternity.

It’s also worth noting that there are three scene transitions that burned my eyes. It goes from inside a dark room at night to a bright Seattle skyline instantly, and everyone in the audience exclaimed at once.

Let’s get to the positives. …I mean… director Sam Taylor-Johnson used to be an artist, so the film looks nice. Some of the scenery and tonal colors work well together…that’s actually all I can think of.

I was bored out of my skull watching “Fifty Shades of Grey”, and it isn’t even like the graphic and racy parts live up to the hype (I’ve seen way worse in movies). The whole movie is about Christian Grey tying up and torturing Anastasia, yet I felt like the only one trapped and abused. This isn’t a “so-bad-it’s-good” movie. This is a “so-awful-I-actually-feel-dumber” movie. The actors have no chemistry, the writing is cringe-worthy and the plot is pointless.

There’s a part in the film when Christian is talking about a disclosure contract he makes Anastasia sign, and he says, “forget the contract, it’s getting redundant”. I just rolled my eyes and thought, “this movie is getting redundant…”

Critics Rating: 2/10

fifty-shades-of-grey-berlin-film-festival

Variety