Tag Archives: Chiwetel Ejiofor

‘Infinite’ Review

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For a blockbuster film that was shot with the intent of being released into theaters, this is one of the most straight-to-streaming-looking films I’ve ever seen.

“Infinite” stars Mark Wahlberg as a man diagnosed with schizophrenia, only to realize he is actually seeing memories of his past lives and must join a secret organization in order to stop a madman from destroying the world. Chiwetel Ejiofor, Sophie Cookson, Jason Mantzoukas, Rupert Friend, Toby Jones, and Dylan O’Brien also star while Antoine Fuqua directs.

Like many 2020 films, “Infinite” was set to be released in theaters but was delayed, only to be moved streaming. While Paramount sold off several of its films, including “Trial of the Chicago 7” to Netflix, they held onto “Infinite,” opting to make it the first exclusive Paramount+ feature film (the service released “The SpongeBob Movie: Sponge on the Run” in February, but that received theater and Netflix releases elsewhere). I’m not sure why the studio felt like “Infinite” was the film that needed to be held onto and be the official hat tossed into the streaming ring, but it is a nonsensical, boring mess of a film that will be seen by few and remembered by even less.

Mark Wahlberg has always been a hit-and-miss actor in both performances and his choice of vehicles, with great work in the likes of “Boogie Nights” and “The Departed” to unwatchable bombs like “Mile 22” and the “Transformers” sequels. This falls into the latter category, with Wahlberg sleepwalking through his role. He offers narration here and there throughout, and by the end it sounds like he is reading his lines as part of a hostage video.

Chiwetel Ejiofor is another talented actor who seems to almost exclusively choose projects far below what he deserves (“2012,” “Locked Down,” “The Secret in Their Eyes”) and here he is equally as bad as Wahlberg, but at least he has the dignity to have fun with his role. Ejiofor is so over-the-top as the film’s bad guy, chewing up every scene he is in, that at least he made an effort to deserve his paycheck. The rest of the cast ranges from bland to cringe, with Jason Mantzoukas doing his normal crazy annoying guy schtick from a dozen other things. Outside Wahlberg, I couldn’t tell you a single character’s name if you put a gun to my head.

Antoine Fuqua is a talented filmmaker, he has made genuine good films (“Training Day”) and fun action flicks (“Shooter” and “Olympus Has Fallen”), so to see a PG-13 film like this so devoid of style or entertainment is actually baffling. The action set pieces are cut together so haphazardly that it is impossible to tell what is going on, and there was only one moment that I chuckled because of a clever grenade kill.

By far the worst aspect of the film, however, is the screenplay. It is the type of script that has bad guys are evil for the sake of being evil, with no attempts to justify or rationalize their actions like Thanos or Killmonger. New gadgets and rules get introduced every other scene, and for a film not based on a book series with huge established lore there are surface-level attempts of world-building that are quickly abandoned.

“Infinite” has all the visual appeal of a straight-to-DVD movie, with the razor-sharp writing of a Hallmark film. It truly is unbelievable that a film with this many talented people involved (including two Academy Award-nominated actors and a proven director) is not only just bad, but extraordinarily boring. If we really are going to move our blockbuster films out of theaters and onto streaming services (God forbid), we deserve a helluva lot better than whatever this film was trying to be.

Critics Rating: 3/10

’12 Years a Slave’ an Unflinching Look at History

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Hollywood is often accused, and rightfully so, of glossing over harsh topics and sugar coating grey areas in history. But Steve McQueen’s “12 Years a Slave” refuses to take part in that practice. The film shows American slavery in all of its horrors and evils, and it makes for an unforgettable, albeit at times uncomfortable, film going experience.

Based on a true story, Chiwetel Ejiofor plays Solomon Northup, a free black man living in upstate New York in 1841. When Northup is kidnapped and sold into slavery, he must find a way back to his family. Steve McQueen directs.

“12 Years” is no “Django Unchained” revenge fantasy tale. It is the gritty facts about the forced labor of an entire race of people, and the horrible conditions under which they suffered. There are several lashing scenes, one of which is painfully realistic and disturbing. But it hits you that human beings actually endured this; it isn’t some fictional punishment that only exists in the movies.

The acting in the movie is nothing short of excellent. Ejiofor keeps a calm presence most of the film, however when he feels he is being mistreated even by slave standards, he snaps and goes on rage-fueled rants about freedom and how he doesn’t want to just survive; he wants to live. It is a multi-layered performance that gives the film’s hero a special amount of humanity.

The film’s best performance, however, comes from Michael Fassbender, who plays a sadistic plantation owner. Fassbender portrays a man who is naturally wicked and more than just a product of his environment. He gets angry at the smallest things, such as Solomon having conversations without his permission, and whips his slaves if they pick less cotton than the prior day. It is a chilling performance that is sure to earn Fassbender award talk.

The film is not without its flaws, however. At times we feel like Solomon is merely a spectator to these horrific events, not living them, and that makes us less empathetic towards him. Also, the whole concept of the audience rooting for one hero to make it back to his family is a bit unfair, for lack of a better word. Yes, this is one movie and one story, but there were millions of people separated from their families in real life and most all of them never saw their loved ones again. So when the film tries to give off this sense of hope, it is a bit diluted since it is really the exception to the rule.

Problems with the story arc notwithstanding, “12 Years a Slave” is a gripping, horrifying and brutally honest piece of American cinema that shows the darkest part of our nation’s history. Few films have ever dared to be so loyal to their dark source material, and almost 200 years after it took place, it is great to see the story of one man’s triumph over the evils of slavery.

A moving score by Hans Zimmer and steady direction from Steve McQueen, not to mention the two powerhouse performances from Chiwetel Ejiofor and Michael Fassbender, make “12 Years a Slave” a necessary film that needs to be experienced by people of every age, young and old. It is a tale of perseverance, determination and triumph of the human spirit, and those traits are what make life, and the movies, so great.

Critics Rating: 8/10